130 min + 20 min interval
Sun 3/15 @4pm
Tues 3/17 @7pm
Summer 1914. In order to dedicate themselves to a life of study, the King and his friends take an oath to avoid the company of women for three years. No sooner have they made their idealistic pledge than the Princess of France and her ladies-in-waiting arrive, presenting the men with a severe test of their high-minded resolve. Shakespeare's sparkling comedy delights in championing and then unravelling an unrealistic vow, and mischievously suggesting that the study of the opposite sex is in fact the highest of all academic endeavours. Only at the end of the play is the merriment curtailed as the lovers agree to submit to a period apart, unaware that the world around them is about to be utterly transformed by the war to end all wars. Christopher Luscombe directs one acting company in both Love's Labour's Lost and Love's Labour's Won (usually known as Much Ado About Nothing). Christopher's directing credits include The Comedy of Errors and The Merry Wives of Windsor for Shakespeare's Globe as well as The Madness of George III and Spamalot in the West End.
(LOVE'S LABOUR'S WON)
140 min + 20 min interval
Sun 4/19 @4pm
Tues 4/21 @7pm
Autumn 1918. A group of soldiers return from the trenches. The world-weary Benedick and his friend Claudio find themselves reacquainted with Beatrice and Hero. As memories of conflict give way to a life of parties and masked balls, Claudio and Hero fall madly, deeply in love, while Benedick and Beatrice reignite their own altogether more combative courtship. Shakespeare's comic romance plays out amidst the brittle high spirits of a post-war house party, as youthful passions run riot, lovers are deceived and happiness is threatened – before peace ultimately wins out. Christopher Luscombe directs the second of Shakespeare's matching pair of comedies that rejoice in our capacity to find love in the most unlikely places. Better known as Much Ado About Nothing, the play is performed under the title Love's Labour's Won, a name possibly attributed to it during Shakespeare's lifetime.
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